Theater Review. Day Before Spring. MUFTIES.

Robert Massimi.

It should have been an omen. The show today was scheduled for 2:30, but the York theater waited until the house finally filled up around 2:50 before artistic director James Morgan took the stage and addressed the audience for about another seven minutes.

When the show began, the opening song,”The Day Before Spring” sung by its star, Katherine (Madison Claire Parks), was drowned out by the on stage band. The day got worse as the show went on. Cast members were reading from their scripts, which added to a really bad story to begin with.

The Day Before Spring is a story about a couple that goes back to their college’s tenth year reunion. Katherine is still smitten with an old college flame, who has just written a book called, you guessed it, The Day Before Spring. Will she leave her glue making husband for this accomplished writer? Who cares. The show is so lackluster, so uninspiring, that it is … By the end of this disaster, that it does not matter.

A good community theater could have been more entertaining. The acting was not enthusiastic, nor did it seem like most of the actors cared how the show came off. The humor, with the exception of Kent M. Lewis, was awful. Lewis did a great job as the locked jaw WASPISH fellow.

Stars like Michelle Liu Coughlin and Nicolas Dromard were awful. Their singing and dancing were horrific, as were their acting. Will Reynolds, who was supposed to have carried the show was not a factor in this performance.

Reading from the script may have added to the lack of commitment from the actors. Maybe it was reading from the script that had the lines falling flat to the audience with script in hand, hand gestures and facial expressions were non existent, and so was the flat humor.

With limited rehersal time, it was if the actors went through the process of this musical. A show of this genre needs to be rehearsed and acted without a script.

The York usually puts out good work, last years MUFTIES were well done, not to mention Desperate Measures. This effort left a lot to be desired. With competition from all corners of New York City, York needs to put forth a better effort than today’s debacle. Reading a script on stage during the performance while people pay good money is atrocious.

For the MUFTIES to work, there needs to be ample rehersal time. Last year, one of the MUFTI productions had some actors with script. For the York to make this a huge yearly production, they need to shun the scripts and put forth a more professional production.

Marc Acito, the director, should never have put the musicians on the stage, but rather behind the stage. The actors could not be heard over the music. Ms. Park’s was especially not heard whenever she sung.

The costumes were all over the place. From 60s hip to traditional college fraternity worn in the 70s, on to modern dress … The show was all over the place as far as different eras and generations are concerned.

This 90 minute, intermission-less musical is one to be missed. The Day Before Spring didn’t have too many things going for it. This cast did not serve the music by Frederick Loewe nor book and lyrics by Alan Jay Lerner well … At all.

Author: nobullwithragingrobert

Was a drama critic at Manhattan College. Wrote professionally for Bergen News, Sun Bulletin . Alpha Sigma Lambda, Beta Theta. Has seen over 600 shows worldwide, has published both on Theater and Politics. Avid reader on many subjects and writers. Chief Drama critic for Metropolitan magazine. Writes for Jerrick media, American conservative, The City Journal and Reason magazine. Has produced shows both on and off Broadway.

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